Incendies
Director: Denis Villeneuve (which might just be the coolest name of all time)
Starring: Lubna Azabal, Melissa Desormeaux-Poulin
After her death, a mother sends her adult children on a mission to find the father and brother they never knew they had. Their journey takes them to the Middle East and the village where their mother was born, as they find the truth about her past.
I originally wanted to see this because I loved the play - also called Incendies, or Scorched in English, by Wajdi Mouawad. The story is an intriguing albeit formulaic "going back to my roots" one, but the beautiful performances from the mother and daughter leads - particularly Lubna Azabal as the mother, Narwan - and the washed-out, harrowing cinematography kept me riveted from the very beginning. The hard-hitting reveal unfolded with delicacy and grace and when the penny dropped for the majority of the audience there was a rustle of horror through the cinema. The film is a little too long and could have benefited from some culling of unnecessary scenes and the titles which separate each "chapter" are joltingly out-of-place with the stark beauty of the landscapes or the classic method of storytelling. However the end product rises above all this and puts this among the best films I've seen this year.
Director: Denis Villeneuve (which might just be the coolest name of all time)
Starring: Lubna Azabal, Melissa Desormeaux-Poulin
After her death, a mother sends her adult children on a mission to find the father and brother they never knew they had. Their journey takes them to the Middle East and the village where their mother was born, as they find the truth about her past.
I originally wanted to see this because I loved the play - also called Incendies, or Scorched in English, by Wajdi Mouawad. The story is an intriguing albeit formulaic "going back to my roots" one, but the beautiful performances from the mother and daughter leads - particularly Lubna Azabal as the mother, Narwan - and the washed-out, harrowing cinematography kept me riveted from the very beginning. The hard-hitting reveal unfolded with delicacy and grace and when the penny dropped for the majority of the audience there was a rustle of horror through the cinema. The film is a little too long and could have benefited from some culling of unnecessary scenes and the titles which separate each "chapter" are joltingly out-of-place with the stark beauty of the landscapes or the classic method of storytelling. However the end product rises above all this and puts this among the best films I've seen this year.
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